ZENAGEN
ZENAGEN is a luxury hair and beauty brand rooted in science-based formulas and plant-powered ingredients. As the sister brand to ACTIIV, Zenagen is positioned toward a more mature audience of both men and women.
My role as a designer was to shape the brand so it felt at home in a doctor’s office or med spa, professional, clean, and trustworthy. To achieve this, I leaned into a minimal aesthetic that symbolized purity and precision.
Our team emphasized product photography to showcase the luxury and effectiveness of the formulas, while pairing it with graphic elements that highlighted Zenagen’s focus on education for both salons and consumers. The result was a brand identity that balanced science, nature, and sophistication.
PACKAGING
While working with ZENAGEN, I gained valuable experience in print and packaging design. One of my first solo projects was creating the ZENAGEN Subscription Box, developed for the brand’s testing phase.
The challenge was to design a low-cost box that could be produced quickly, yet still reflect the brand’s minimal and luxurious aesthetic. I wanted the design to appeal to a broad audience while maintaining consistency with Zenagen’s clean, professional image.
The biggest constraint was production—budget and timeline limited the use of premium finishes like foils, which I would have loved to incorporate. Despite those challenges, I’m proud of how the final design turned out. It delivered a polished, elegant look that paired seamlessly with the products inside and set the stage for future iterations of the subscription program.
The RE:ZEN Dry Shampoo was the first SKU I was deeply involved in developing at ZENAGEN. At the time, our design team consisted of just myself and one other designer, with no formal creative direction—giving us the opportunity to play a major role in the ideation process.
I created the name RE:ZEN, inspired by the idea of “revitalizing” hair while maintaining consistency with the brand’s REVOLVE line. The goal was to position RE:ZEN as both a natural extension of the existing product family and a fresh, innovative addition to the lineup.
Through this project, I was able to shape not just the design, but also the brand story and identity of the product from the ground up.
As an illustrator, I had the opportunity to create the instructional illustrations featured on the back of the RE:ZEN Dry Shampoo bottle. This was my first time developing this type of work, and I embraced the chance to design custom visuals rather than relying on stock icons.
It was a rare instance for ZENAGEN to incorporate illustration into their packaging, which made the project especially rewarding. Building these icons from scratch allowed me to contribute a personal, creative touch while keeping the overall aesthetic consistent with the brand.
A major focus of my work with ZENAGEN was digital design, particularly optimizing the brand’s online presence. One of my largest projects was a complete revamp of the company’s Amazon product content.
My goal was to create a set of graphics for each SKU that felt minimal, clean, and informative—balancing aesthetic appeal with clarity. By streamlining the visuals and product details, I helped elevate the online shopping experience while ensuring consistency across the brand’s digital storefront.
DIGITAL DESIGN
SOCIAL MEDIA
Social media graphics were a core part of my role at ZENAGEN, and during my first year I was almost entirely responsible for their creation.
The biggest challenge was maintaining the brand’s minimalist aesthetic while keeping content fresh and engaging. To achieve this, I experimented with creative typography, subtle graphic elements, and recurring visual motifs that gave posts variety without straying from the brand identity.
This experience sharpened my ability to design within strict brand guidelines while still finding space for innovation and visual interest.
VIDEO
As the sole animator at ZENAGEN, I was responsible for all motion graphics used in educational and promotional content.
One of the biggest challenges was working with uncurated footage, often shot on cell phones, which needed to be edited and formatted for both social media and YouTube. To keep the content engaging, I focused on incorporating dynamic animations and branded graphics that elevated the overall quality, even when the source footage was limited.
Later, when the company hired a videographer, I shifted into a collaborative role—providing animations and graphic overlays that complemented professionally shot content and helped bring the brand’s visual identity to life across video platforms.